Sou\u010dasn\u00e1 malba nen\u00ed jedin\u00fdm stylem, ale polem nekone\u010dn\u00e9ho experimentov\u00e1n\u00ed, kde koexistuj\u00ed tradi\u010dn\u00ed pl\u00e1tna a digit\u00e1ln\u00ed NFT, kde n\u00e1m\u011bt m\u016f\u017ee b\u00fdt hyperrealistick\u00fd nebo zcela chyb\u011bj\u00edc\u00ed, kde je um\u011blec n\u011bkdy \u0161amanem, n\u011bkdy program\u00e1torem, n\u011bkdy provokat\u00e9rem. Po krizi \u201ev\u0161echno u\u017e bylo hotovo\u201c na konci 20. stolet\u00ed malba nezem\u0159ela \u2013 mutovala, roz\u0161\u00ed\u0159ila se a stala se multidisciplin\u00e1rn\u00ed. Dnes mluv\u00ed mnoha jazyky \u2013 a hled\u00e1 nov\u00e9 v\u00fdznamy ve sv\u011bt\u011b p\u0159et\u00ed\u017een\u00e9m obrazy.<\/p>\n
Postmodernismus zni\u010dil hierarchie: \u201evysok\u00e9\u201c a \u201en\u00edzk\u00e9\u201c um\u011bn\u00ed, \u201ekr\u00e1sn\u00e9\u201c a \u201eo\u0161kliv\u00e9\u201c, \u201eorigin\u00e1ln\u00ed\u201c a \u201ekopie\u201c \u2013 v\u0161e se prol\u00ednalo. Um\u011blci cituj\u00ed minulost, zesm\u011b\u0161\u0148uj\u00ed k\u00e1nony a kombinuj\u00ed neslu\u010diteln\u00e9. Damien Hirst umis\u0165uje zv\u00ed\u0159ata do formaldehydu, Banksy maluje graffiti se soci\u00e1ln\u00edm podtextem, Yayoi Kusama pokr\u00fdv\u00e1 v\u0161e te\u010dkami \u2013 a to v\u0161e se naz\u00fdv\u00e1 malba, i kdy\u017e to \u010dasto jde je\u0161t\u011b d\u00e1l. Sou\u010dasn\u00e1 malba nen\u00ed technika, ale koncept.<\/p>\n
Digit\u00e1ln\u00ed revoluce zm\u011bnila v\u0161echno. Programy jako Procreate, Photoshop, 3D modelov\u00e1n\u00ed a gener\u00e1tory um\u011bl\u00e9 inteligence se staly n\u00e1stroji um\u011blc\u016f. Objevily se NFT \u2013 nezam\u011bniteln\u00e9 tokeny \u2013 kter\u00e9 prom\u011bnily digit\u00e1ln\u00ed obrazy v unik\u00e1tn\u00ed sb\u011bratelsk\u00e9 p\u0159edm\u011bty. Beeple prodal kol\u00e1\u017e 5 000 obraz\u016f za 69 milion\u016f dolar\u016f \u2013 a to byl zlomov\u00fd bod. Digit\u00e1ln\u00ed um\u011bn\u00ed nen\u00ed \u201eneskute\u010dn\u00e9\u201c \u2013 je prost\u011b jin\u00e9: rychl\u00e9, interaktivn\u00ed, glob\u00e1ln\u00ed a \u010dasto anonymn\u00ed.<\/p>\n
Tradi\u010dn\u00ed malba se v\u0161ak nevzd\u00e1v\u00e1. Mnoho um\u011blc\u016f se vrac\u00ed k pl\u00e1tnu, olej\u016fm a \u0161t\u011btc\u016fm \u2013 jako akty odporu v\u016f\u010di digit\u00e1ln\u00edmu proudu. Hyperrealismus (Roberto Bernani, Diego Fazio) udivuje sv\u00fdmi detaily, jako fotografie, ale je ru\u010dn\u011b vyroben\u00fd. Neoexpresionismus (Julian Schnabel, Anselm Kiefer) vrac\u00ed emoce, gesto a materialitu. Malba se st\u00e1v\u00e1 pomal\u00fdm um\u011bn\u00edm \u2013 protiv\u00e1hou rychlosti Instagramu.<\/p>\n
Soci\u00e1ln\u00ed ot\u00e1zky jsou \u00fast\u0159edn\u00edm t\u00e9matem t\u00e9to \u00e9ry. Rasismus, feminismus, ekologie, v\u00e1lka, migrace, identita \u2013 to v\u0161e je na pl\u00e1tnech sou\u010dasn\u00fdch um\u011blc\u016f. Kerry James Marshall maluje velkoform\u00e1tov\u00e1 pl\u00e1tna s \u010derno\u0161sk\u00fdmi postavami a znovu si tak z\u00edsk\u00e1v\u00e1 sv\u00e9 m\u00edsto v d\u011bjin\u00e1ch um\u011bn\u00ed. Aj Wej-wej pou\u017e\u00edv\u00e1 malbu jako politick\u00fd manifest. Jana \u0160emonajevov\u00e1 tvo\u0159\u00ed d\u00edla o \u017eensk\u00e9m traumatu a s\u00edle. Um\u011bn\u00ed u\u017e nem\u016f\u017ee b\u00fdt \u201ejen kr\u00e1sn\u00e9\u201c \u2013 mus\u00ed b\u00fdt smyslupln\u00e9.<\/p>\n
<\/p>\n
Zm\u011bnil se i trh s um\u011bn\u00edm. Auk\u010dn\u00ed domy Sotheby’s a Christie’s prod\u00e1vaj\u00ed sou\u010dasn\u00e1 d\u00edla za miliony. Veletrhy (Art Basel, Frieze, Cosmoscow) jsou nov\u00fdmi chr\u00e1my um\u011bn\u00ed. Sb\u011bratel\u00e9 nehledaj\u00ed \u201einvestici\u201c, ale \u201evibraci\u201c \u2013 emocion\u00e1ln\u00ed reakci. Instagram se stal hlavn\u00ed galeri\u00ed: um\u011blci zve\u0159ej\u0148uj\u00ed informace o sv\u00e9m procesu, komunikuj\u00ed se sv\u00fdm publikem a prod\u00e1vaj\u00ed p\u0159\u00edmo. \u00dasp\u011bch nyn\u00ed nez\u00e1vis\u00ed jen na muze\u00edch, ale i na sleduj\u00edc\u00edch.<\/p>\n
Prom\u011bnilo se i vzd\u011bl\u00e1v\u00e1n\u00ed a dostupnost. Online kurzy, kan\u00e1ly YouTube a digit\u00e1ln\u00ed muzea (Google Arts & Culture) zp\u0159\u00edstup\u0148uj\u00ed um\u011bn\u00ed v\u0161em. Ka\u017ed\u00fd se m\u016f\u017ee nau\u010dit kreslit, naj\u00edt si publikum a prod\u00e1vat sv\u00e1 d\u00edla. Z\u00e1rove\u0148 ale roste konkurence. Um\u011blci dnes mus\u00ed b\u00fdt nejen tv\u016frci, ale tak\u00e9 market\u00e9\u0159i, copywrite\u0159i a spr\u00e1vci soci\u00e1ln\u00edch m\u00e9di\u00ed. Um\u011bn\u00ed se stalo profes\u00ed na pln\u00fd \u00favazek.<\/p>\n
Co hled\u00e1 sou\u010dasn\u00e9 mal\u00ed\u0159stv\u00ed? Nov\u00fd jazyk. Nov\u00fd v\u00fdznam. Nov\u00e9 spojen\u00ed s lidstvem. V dob\u011b \u00fazkosti, v\u00e1lky a ekologick\u00fdch katastrof se um\u011bn\u00ed st\u00e1v\u00e1 terapi\u00ed, protestem, modlitbou a \u00fato\u010di\u0161t\u011bm. Klade si ot\u00e1zky: Kdo jsme? Kam sm\u011b\u0159ujeme? Co znamen\u00e1 b\u00fdt \u010dlov\u011bkem? Neposkytuje odpov\u011bdi \u2013 vytv\u00e1\u0159\u00ed prostor pro reflexi. A v tom spo\u010d\u00edv\u00e1 jeho s\u00edla.<\/p>\n
Budoucnost mal\u00ed\u0159stv\u00ed spo\u010d\u00edv\u00e1 v hybridech. AR obrazy, kter\u00e9 \u201eo\u017e\u00edvaj\u00ed\u201c prost\u0159ednictv\u00edm chytr\u00e9ho telefonu. Malov\u00e1n\u00ed s prvky socha\u0159stv\u00ed, videa a zvuku. Spolupr\u00e1ce s v\u011bdci, program\u00e1tory a hudebn\u00edky. Um\u011bn\u00ed se st\u00e1v\u00e1 imerzivn\u00edm \u2013 div\u00e1k se jen ned\u00edv\u00e1, je do n\u011bj pono\u0159en. Z\u00e1rove\u0148 se v\u0161ak vrac\u00ed hodnota \u201eru\u010dn\u011b vyroben\u00e9ho\u201c \u2013 jedine\u010dn\u00e9ho, \u200b\u200bnealgoritmick\u00e9ho, lidsk\u00e9ho. Ve sv\u011bt\u011b stroj\u016f se mal\u00ed\u0159stv\u00ed st\u00e1v\u00e1 posledn\u00ed ba\u0161tou du\u0161e.<\/p>\n
Sou\u010dasn\u00e1 malba nen\u00ed chaos, ale komplexn\u00ed ekosyst\u00e9m. Nemus\u00ed se l\u00edbit \u2013 mus\u00ed evokovat. Nemus\u00ed b\u00fdt srozumiteln\u00e1 \u2013 mus\u00ed b\u00fdt up\u0159\u00edmn\u00e1. Nemus\u00ed b\u00fdt v\u011b\u010dn\u00e1 \u2013 mus\u00ed b\u00fdt skute\u010dn\u00e1. Je zrcadlem na\u0161\u00ed doby: \u00fazkostn\u00e9, rychl\u00e9, p\u0159et\u00ed\u017een\u00e9, ale st\u00e1le \u017e\u00edzn\u00edc\u00ed po kr\u00e1se, smyslu a \u00fa\u017easu. A dokud um\u011blec vezme do ruky \u0161t\u011btec \u2013 nebo stylus \u2013 malba \u017eije. Proto\u017ee lid\u00e9 st\u00e1le cht\u011bj\u00ed mluvit \u2013 a naslouchat. I kdy\u017e slova nahrad\u00ed barva, tvar, pixel nebo gesto.<\/p>\n","protected":false},"excerpt":{"rendered":"
Sou\u010dasn\u00e1 malba nen\u00ed jedin\u00fdm stylem, ale polem nekone\u010dn\u00e9ho experimentov\u00e1n\u00ed, kde koexistuj\u00ed tradi\u010dn\u00ed pl\u00e1tna a digit\u00e1ln\u00ed NFT, kde n\u00e1m\u011bt m\u016f\u017ee b\u00fdt hyperrealistick\u00fd nebo zcela chyb\u011bj\u00edc\u00ed, kde je um\u011blec n\u011bkdy \u0161amanem, n\u011bkdy…<\/p>\n","protected":false},"author":2,"featured_media":105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-malovani"],"_links":{"self":[{"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/posts\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=104"}],"version-history":[{"count":1,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/posts\/104\/revisions"}],"predecessor-version":[{"id":106,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/posts\/104\/revisions\/106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=\/wp\/v2\/media\/105"}],"wp:attachment":[{"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rabbrconfr.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}